The group signed with Cotillion Records for their self-titled debut album and immediately scored with the blazing funk track, “Slide,” which hit #1 on the Soul charts and earned Slave a Grammy nomination for best new artist. However, the group’s next two albums failed to land big hits, and Slave risked the “one hit wonder” label. Singers Steve Arrington and Starleanna Young joined the group, and Slave’s 4th album, Just a Touch of Love, stormed into the top 10 on the power of the title cut. They continued their re-emergence in 1981 with the hit “Watching You” and the accompanying album, Stone Jam.
Arrington left the group for a moderately successful solo career in 1982 (highlighted by the great hit “Dancing in the Key of Life”), and the next few years saw a shakeup in Slave’s lineup. Washington, Lockett and Young left to form the group Aurra, and the remaining group members continued to record with lesser success through the rest of the 80s, landing minor hits with “Shake it Up” and “Ooooh.” Slave left Cotillion for Ichiban Records in 1986 and recorded five albums on that label through the mid-90s before going silent.
A revamped version of Slave began touring again in multi-artist funk group shows after the turn of the century. In August 2006, the Slave compilationDefinitive Groove was released.
Loose Ends was a successful EnglishR&Bband that had several urban contemporaryhits. The trio was formed in London in 1980, initially comprising vocalist and guitarist Carl McIntosh, vocalist Jane Eugene, andkeyboard player, writer and founder Steve Nichol. The latter two left the group in 1989, bringing an end to the band’s most successful phase.
Career:
The group was originally called Loose End, and signed with Virgin Records in 1981. Their debut material was written for them by Chris Amoo and Eddie Amoo, who had had UK Singles Chart success of their own in the 1970s, with their group The Real Thing. The trio changed its name to Loose Ends in 1983 and continued to record for Virgin. They were distributed in the United States by MCA Records.
The group was founded by Steve Nichol after he left the London Guildhall School of Music and Drama where he received classical training. Most of the band’s material was written and supplied by Nichol. Nichol auditioned McIntosh at a bar in Central London and found Eugene through a college fashion show. They achieved their first success with “Hangin’ on a String (Contemplating)” in 1985, which reached #13 in the UKchart. “Hangin’ on a String” also reached #1 on the U.S. Billboard R&B chart, making Loose Ends the first British band ever to top that chart.[2] They reached #16 with the single “Magic Touch” in the same year. The disc was produced in the U.S., as was their 1986 hit “Slow Down” (later used as the theme music for MuchMusic‘s Soul in The Cityprogram). Later that year, a track they had written and produced for Five Star, “Let Me Be The One,” reached number two in the same listings. Subsequent falling sales saw the threesome notch up their final transatlantic hit in 1988 with “Watching You (Watching Me).”
The group’s lineup changed in 1990 due to differences in its proposed musical direction, with Eugene and Nichol wanting to maintain the group’s sound and McIntosh wanting to be more experimental. Eugene and Nichol decided to leave, and were replaced by Linda Carriere and Sunay Suleyman. Look How Long turned out to be the final studio album released under the Loose Ends name, and featured their final hit single, “Don’t Be A Fool” (1990). McIntosh himself went on to work behind the recording desk following the group’s peak popularity, but the new trio soon disbanded. He has since produced several artists’ work, most notably that of Caron Wheeler and Ruth Joy.
In 1998, McIntosh and Eugene reunited to appear on a single by Pete Rock called “Take Your Time.” They also appeared in the music video for the track.
“Hangin’ on a String (Contemplating)” is featured in the popular video game Grand Theft Auto IV‘s fictional Soul/R&B radio station The Vibe 98.8.
Multi-Grammy nominated artist, Patrice Rushen, is fashioning her career after the legacy of her long-time friend and mentor, Quincy Jones. Composer…Producer…International Recording Artist…Rushen has definitely earned the respect she has been awarded by her peers in the music industry.
Admired by many for her groundbreaking achievements, Rushen has amassed an impressive list of “firsts”. She was the first woman to serve as Musical Director for the 46th, 47th & 48th Annual Grammy Awards, the first woman in 43 years to serve as Head Composer/Musical Director for television’s highest honor, the Emmy Awards and the first woman Musical Director of the NAACP Image Awards, an honor she held for 12 consecutive years. Rushen has also been the only woman Musical Director/Composer for the Peoples Choice Awards andHBO’s Comic Relief. She was the only woman Musical Director/Conductor/Arranger for a late-night television talk show. The show was The Midnight Hour, which aired on CBS. In addition, Rushen was named the Musical Director/Composer for Newsweek’s first American Achievement Awards, broadcast from the Kennedy Center and she served as the Musical Director for Janet Jackson’s World Tour, “janet.” As the Musical Director for the award shows, she composed and performed special musical tributes to Michael Landon, Ted Turner, Lucille Ball and Desi Arnaz, The Temptations, James Garner and Leonard Bernstein to name a few. Rushen was named Composer in Residence during the August 2004 sessions at the Henry Mancini Institute.
A classically trained pianist, Rushen has spent a lifetime honing the skills that make her one of the music industry’s most versatile and sought after artists. In 1998, she was again honored by the music industry when her adult contemporary CD, “Signature”, received a Grammy nomination. The CD also received an NAACP Image Award nomination and also landed in the top ten of the adult contemporary jazz charts. The critically lauded, chart topping style she championed in the 70’s and 80’s — a jazz/R&B/pop fusion that combines melodic accessibility with instrumental prowess. This not only became her signature style, but also has continued to be a mainstay of popular radio.
Rushen receives some 30 requests weekly to use her music for samples, especially for rap albums. A few of the artists that have requested her music include Kirk Franklin, Mary J. Blige, Zhane, George Michael, Shabba Ranks and Heavy D. Many more performers have scored their own hits using samples from Patrice’s songs. In 2007, Kirk Franklin had an award winning hit with “Looking For You,” which is a gospel version of her hit song “Haven’t You Heard.” Most notably is the smash hit “Men in Black”, which Will Smith recorded for the movie of the same name. The song was sampled from her 1982 Grammy nominated recording, “Forget Me Nots”
ASCAP honored her publishing company for the song “Men in Black,” as the 1997 ASCAP Most Performed Song from a Motion Picture. George Michael also had a dance-hit version of “Forget Me Nots” with “Fast Love”, which also sampled that song and featured Rushen’s original vocal tracks. ASCAP presented her with the songwriter’s award for 2007 ASCAP Top Gospel Song, “Looking For You” based on the recording by Kirk Franklin.
In addition to her success as a recording artist and musical director, Rushen is also an accomplished composer providing musical scores for Emmy-nominated television movies and series among which include Showtime’s “The Killing Yard” starring Alan Alda and directed by Euzhan Palcy; “Just A Dream”, Danny Glover’s directorial debut; the Sundance Film Award winning “Our America”, directed by Ernest Dickerson; “Fire and Ice” starring Kadeem Hardison for the BET Network; HBO’s “America’s Dream”, starring Danny Glover and Wesley Snipes; the critically acclaimed Wonderful World of Disney telefilm, “Ruby Bridges”; Masterpiece Theater’s “Cora Unashamed” starring Regina Taylor and C.C.H. Pounder; “Brewster Place” starring Oprah Winfrey; the PBS documentary, “A. Phillip Randolph” and Lifetime’s “For One Night” starring Raven-Symone. Rushen also composed the theme song for the hit TV sitcom, “The Steve Harvey Show.”
Rushen’s feature film composing credits include “Men In Black,” “Waiting To Exhale,” Sandra Bernhardt’s “Without You I’m Nothing,” and Robert Townsend’s breakthrough film, “Hollywood Shuffle.”
As a producer, Rushen helmed Sheena Easton’s “The Nearness of You” for the hit film “Indecent Proposal,” which led to an album of jazz standards, No Strings, in 1993, which Rushen also produced and MCA released.
Considered one of the world’s top jazz pianists, Rushen has performed with and produced for such esteemed artists as Stevie Wonder, Herbie Hancock, Prince, Lionel Hampton, Carlos Santana, Boys II Men, George Benson, Jean Luc Ponty, Tom Jones, Nancy Wilson, Michael Jackson, Dianne Reeves, Sheena Easton, Stanley Turentine, Joshua Redman and on and on. She has played at some of the world’s most prestigious jazz festivals and events.
Rushen has performed with Philharmonic Orchestras and has even written an award-winning symphony. She has served as Composer in Residence with the Detroit Symphony Orchestra for the 2000 & 2001 concert season. She has composed several symphonic works since 2000, each a commissioned assignment by a major orchestra and the World Premiere of each one of the symphonic works has been performed to rave reviews.
She has 14 solo albums to her credit and a greatest hits anthology released on Rhino Records in 1997. She has also recorded two albums with The Meeting, the world-renowned jazz super-group, which includes Rushen, Ndugu Chancler and Ernie Watts.
In April 2008, Rushen accepted a professorship at the prestigious Berklee College of Music, in Boston. The course is “Patrice Rushen: The Value of Music Education.” She was honored with an assignment in March 2008, as Music Director and host of the Los Angeles Philharmonic’s, “LA Phil Presents: A Tribute to Ella.” The event featured 5 outstanding vocalists paying tribute to the incredible vocal talents of the great Ella Fitzgerald.
Rushen received an Honorary Doctorate of Music degree in 2005, from Berklee College of Music for her “outstanding contribution to music and culture.” In 2006, she was honored by Jazz At Lincoln Center at “The 2nd Annual Diet Coke Women In Jazz Festival” held at Dizzy’s Club Coca-Cola in New York, for her contribution to music.
Currently, her career focus is composing for films, television and orchestras. She still enjoys performing and is often asked to make guest appearances at music festivals and on the recording projects of other artists. Rushen was the host of Clint Eastwood’s Malpaso Productions, “40 Years of the Monterey Jazz Festival,” which has been released on DVD. She was also featured on HGTV’s “Houses of Note” special.
Rushen spends whatever free time she has working closely with the Los Angeles Cultural Affairs Department, NARAS “Grammy In The Schools” program and other organizations dedicated to establishing music education and mentorship programs for inner-city youth.
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